1. how you come across to it:
A disc in office.
2. why this piece?
Not every piece of Bach attracts wandering attention. This passcaglia is always a killer. The subject is epic, emotion steadily unfolds with constant counterpoint activity.
3. (and...)
Ton Koopman isn't a secret, right?
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2 comments:
You must listen to how Respighi orchestrate this!
Yes; so why not must we listen also how Stokowski orchestrates this?
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